Adapted by Alana Valentine
Based on the novel Cold Light by Frank Moorhouse
How far can a woman of vision go?
Here comes Edith Campbell Berry, fresh from International acclaim at the League of Nations, handsome British diplomatic husband in tow. Look out 1950’s Canberra, she’s on her way to the top. Or is she? The League was after all a failure, and hubby dear is a secret cross dresser and her long lost brother is a Communist agitator watched by a fledgling ASIO. Maybe those dreams of renewed diplomatic honour might take longer than she thinks to materialize. A lot longer.
Cold Light is an epic story of national significance surveying the transformation of Australia from the post-WWII Menzies era to the mid-1970’s Whitlam government.
Pull on your gloves and cinch in that waist, Edith is going to whip The Street Theatre into shape.
"Edith is the sort of character with whom anyone would like to have dinner. She is clever, and principled, and foolish, and vain, and decisive, and fierce, and hopeless, and interested in shoes. We love her and that’s that". ANNABEL CRABB
"Like Edith, Cold Light is dutiful, brooding, witty and salacious – and indefatigable. It’s Edith’s story but Australia’s too". THE SUN HERALD
Friday 3 March @ 7.30pm (PREVIEW)
Saturday 4 March 2017 @ 7.30pm
Sunday 5 March 2017 @ 4pm
Wednesday 8 - Saturday 11 March 2007 @ 7.30pm
Sunday 12 March 2017 @ 4pm
Wednesday 15 - Saturday 18 March 2017 @7.30pm
Group 4+: $46
Mid-week Special: $46 (March 8th/March 9th + March 15th/March 16th ONLY)
The Street Theatre
“There are three things that have divided this nation right down the center. Conscription, Whitlam and Lindy Chamberlain.” Filled with humour and heartbreak, this stunning new work by award-winning playwright Alana Valentine explores the public’s relationship with one of 20th Century Australia’s most iconic figures. The court case captivated a nation. A mother accused of murdering her child, her claim – that the baby was taken by a dingo – denied and discredited by zealous police and a flawed legal system. The media circus, the rumours, the nation’s prejudices laid bare. And in the eye of the storm – Lindy Chamberlain.
Lindy's letters set to become a play - ABC TV News
Letters to Lindy show outpouring of support - Canberra Times
Playwright sees great drama in the letters that Lindy filed away - The Age
Up on the Queen’s Domain is a quiet jewel in Hobart’s history. An avenue of memorial trees, planted after WW1, by relatives and friends of soldiers who sacrificed their lives in that terrible conflict.
The Tree Widows tells the stories of not just the soldiers whose trees are on the Soldier’s Memorial Avenue but gives a surprising glimpse into the families, relatives, friends and members of the general public who have a connection to this contemplative, beautiful place.
Moving with the performers from tree to tree along the Avenue, these monologues are an engaging, funny, and deeply moving way to see a place you may think you know in an entirely new way – a way to breathe in the past through your own city.
The Tree Widows is a unique Tasmanian piece of theatre that celebrates why families today continue to lovingly care for this place of memory and meaning.
Produced by Tasmanian Theatre Company
Director Alana Valentine
Designers Jill Munro & Alana Valentine
Sound designer Max Ford
Cast Guy Hooper, Iain Lang, Jane Longhurst and Jane Johnson
Dates: 6 to 17 April 2016
Venue: Soldiers Memorial Walk, Queen’s Domain - meet at car park behind TCA Ground
Duration: 90 minutes (including interval)
More Information: Tasmanian Theatre Company
It’s Ladies Day at the Broome races and the pinely beautiful Mike is the toast of the track. But amongst the froth and festivity, a brutal act of violence reminds us that life is not just all swishy hemlines, debonair gents and fascinators galore.
Known for her incredibly successful verbatim works, she takes her interviews and research with inpiduals and communities, and mixes them with a healthy dose of drama. The result is powerful, thought-provoking theatre in which the voices of her protagonists ring absolutely true.
Alana spent months interviewing the gay community in the Top End, Katherine and Broome to create a play that asks questions about tolerance, isolation, love, hope and the right to have your story told. Griffin is proud to present the world premiere of Ladies Day - a vivid, richly evocative play with a big heart, directed by Darren Yap.
Ladies Day will be supported by Griffin’s ‘Production Partnerships Program’. Remarkable productions made possible through the support of individual donors.
The research and writing of Ladies Day was supported by the Literature Fund of the Australia Council for the Arts.
Performance Dates: 15 February – 26 March 2016
“Ladies Day presents Australia’s foremost verbatim playwright, Alana Valentine, at the height of her powers as she deftly interrogates the boundaries of her preferred form. Surprising and moving, Ladies Day is also confronting and compassionate. Characters that initially seem stereotypical develop into people for whom we feel anguish and outrage, before morphing again and demanding we reconsider the nature of truth-telling and theatre. The complexity of the story and the interrogation of sexuality, identity and violence are masterly.”
Ladies Day Reviews:
‘… a profound investigation into what it means to be truthful in the theatre’ – The Australian
‘Quite simply I believed every word’ – Australian Stage Online
‘Alana Valentine is probably Australia’s greatest verbatim playwright. For well over a decade now, Valentine has been interviewing people from all walks of life about their experiences, traumas and passions, and bringing their words to the stage’ – The Daily Review
…an intriguing line between fact and fiction, with epic techniques keeping us alive to the contradictions inherent in turning the stuff of real lives into theatre’ – Sydney Morning Herald
‘Facts are hard to capture, but our humanity can hear the truth ringing no matter what guise it takes’ – Suzy Goes See
‘Ladies Day is one of the most intelligent pieces I have ever seen on stage. Alana Valentine is a writer at the peak of her career, offering a crafted play that will live on well beyond this fabulous production at Griffin. Ladies Day is a play we will be talking about for years to come, because it uses theatre to really interrogate what writing is, what humanity is, what compassion is and it does so in the hands of a writer who can offer the cleverest of wit with a full helping of authentic politics, humanity and the capacity to completely surprise you just when you think you have it all figured out’ – Suzie Miller on the Griffin blog
“Australian” and “new” means that the work can often hit a little closer to home in terms of language, setting and relevance. In their latest production, Ladies Day, nothing is more fitting then describing it as hitting, for it gets you. Right there in the feelings’ – the AU Review
‘[Valentine is] giving a voice to inhabitants of this world that may not always get the opportunity to speak. And they should, because they have incredible stories should we take the time to listen’ – Theatre Now
‘Studded with powerful monologues and charged finally with an articulate denouement about the enigma of remembered truth, and who has the right to tell what stories’ – Stage Whispers
‘Confronting and funny, brutal and compassionate, Valentine’s Ladies Day reaches two important benchmarks of the best theatre: the 100 minutes duration seems like half an hour and as the play gets underway we cease to notice actors but see other people.’ – South Sydney Herald
‘Daring stuff, both subjectively and objectively to put into the public space in the theatre.’ – Kevin Jackson Theatre Diary
‘The questions of justice, identity, revenge, reality and truth suddenly open up an electrifying new range of dilemmas.’ – Stage Noise
‘This is a funny, smart and tremendously moving new Australian work that does something different within its genre, and expands it’ – Time Out
One Billion Beats is a profoundly political and resonant work, an act of intellectual courage and personal candor that privileges an Indigenous perspective on cultural representation in film and beyond. A story of insight, horror, relevance and beauty.
One Billion Beats Media:
Sydney Morning Herald
World premiere season presented by Performance Space
The Powerhouse Theatre in Brisbane will be alight with incredible stories and song as six highly acclaimed Indigenous entertainers present Barefoot Divas: Walk a Mile in My Shoes as part of Queensland Music Festival on Friday 26 and Saturday 27 of July. Showcasing their spiritual homeland connections, Aboriginal singer/songwriters Ursula Yovich and Emma Donovan join Papua New Guinean Ngaiire and their Maori sistas Maisey Rika, Merenia and Whirimako Black in a stunning tribute to endurance, honour, identity and life affirmation.
"The stories of these incredible ladies are as beautiful and compelling as the songs themselves. There will not be a dry eye in the house," QMF Artistic Director James Morrison said.
"Overall, this is truly a celebration of hope and resilience."
Helped by the creative minds of Alana Valentine (writer and co-director), Vicki Gordon (director and producer) and Adam Ventoura (musical director), the Divas will be supported by first-rate musicians Steve Marin, Giorgio Rojas, Percy Robinson and James Sandon.
Always breathtakingly poignant, this production is fresh from sell out shows at both Sydney Festival and the New Zealand International Arts Festival and is likely to be a standout hit for this year's Queensland Music Festival.
Barefoot Divas: Walk a Mile in My Shoes is presented by Queensland Music Festival, Brisbane City Council, Brisbane Powerhouse and 612 ABC Brisbane.
Barefoot Divas: Walk a Mile in My Shoes is part of Esperanto, 26-28 July at Brisbane Powerhouse.
Originally co-commissioned and produced by Sydney Festival and New Zealand International Arts Festival in association with Vicki Gordon Music Productions 2012.
When I see a forest of trees
I see a lot of old growth
Comfortable trunks with their feet dug in
Not making any room for anything new
Starving out anything young
That's what I see
and it makes me
want to have
a bit of a clear out.
Tinderbox, by Alana Valentine, reunites the acclaimed team who recently presented the rave-reviewed Tarantula at King Street Theatre in October 2012. With an original score by John Encarnacao, Tinderbox is a searing theatrical experimentation of poetry and music and a harrowing story of destruction and regeneration in the lives of three compelling characters. Is it possible to love someone who has committed an act of unspeakable wrong? Tinderbox will intrigue and inspire you with the durability of love under even the most onerous circumstances. Produced by Tredwood Productions, this Theatre 19 production marks the play's world premiere.
"Desire is a tarantula that bites, and not only the young. Desire is a venom that courses through the veins long past the days of its ability to be satisfied" - Lola Montez
Narcissistic, impervious to criticism, and a pathological liar. Scandalous, bigamous, and the ruination of royalty. Countess, dancer and actress. The most generous, most wilful, and most self-obsessed woman of her generation was Lola Montez. "Tarantula" picks up her story on July 8, 1856, when returning to San Francisco from an exhausting and scandal filled Australian tour, Lola's lover, Noel Folland, disappeared from the deck of the Jane A Falkenburg and was never seen again, presumed drowned.
Using the conceit of a play within a play, "Tarantula" traces the story of Lola's life to unlock the mystery of this tragic disappearance, by having a contemporary actress making a play about her hero Lola. Set alternatively in a rehearsal room where the play is being made, and in flashback to Lola's world, the play is an hilarious and thought-provoking examination of the battle of the sexes - both from an historic and contemporary point of view. Erotic, passionate and very funny, this is a play which asks questions about just how much and in what way women's power had changed in the intervening years between Lola and our contemporary heroine, Gina and provides the opportunity for a virtuoso performance both from the gently aging "Lola" and her ardent young suitor. First presented as a staged reading as part of Griffin Theatre's Searchlight program this Tredwood Production marks the play's world premiere.
Written by Alana Valentine
The Annual Alice Springs Beanie Festival is fast approaching and Tilly Napuljari is running out of time to finish her new creation in time to enter it for judging. Nessa Tavistock, a Sydneysider, has run away to the red centre to escape her own problems back in the big smoke.
Head Full of Love is the story of these two remarkable women and the unlikely but inspiring friendship which forms between them. It invites you to look differently at the possibilities of the humble beanie: a much-loved everyday item, and an extension of our selves and the everyday lives we wear.
This intricate, warm and wisely told tale by Australian playwright Alana Valentine (Run Rabbit Run, Parramatta Girls) is directed by Wesley Enoch and stars Colette Mann (Priscilla Queen of the Desert, Strange Bedfellows) and Roxanne McDonald (Skin of our Teeth, Parramatta Girls, The Story of the Miracles at Cookie’s Table).
"Head Full of Love is wonderful. It is a story that tells us so much about where we are and what we need to do about it." The Australian
Head Full of Love was commissioned and first produced by Darwin Festival 2010.
In association with
Australian Theatre for Young People
Presented as part of
The Civic Theatres Inspirations Season
Against the backdrop of one of the most intriguing events in Newcastles recent history, the grounding of the Pasha Bulker, we meet Farrah, a young Novocastrian with a fascination for Newcastles industrial port, a fascination none of her peers share or comprehend.
Yet when a storm forces the ship on Nobbys Beach and the worlds attention turns to the harbour she knows so well, the impact on Farrahs own reality is not what she expects. Farrahs obsession with shipping and bulk carriers allows audiences to explore universal themes of isolation, belonging and identity, and that time in your life when the obsessions of childhood get grounded in reality.
Tantrum Theatre and Australias flagship youth theatre company Australian Theatre for Young People have co-commissioned nationally recognised playwright Alana Valentine to create this new work which celebrates Newcastles identity and the significance of the working harbour to Newcastles culture.
Grounded will be performed by a cast of talented young people, accompanied by professional actor Paul Kelman. Paul is known for appearing in feature films such as Mullet with Ben Mendlsohn, Terra Nova and A Cold Summer, along with having roles in All Saints, McLeods Daughters, Home & Away, Water Rats and A Country Practice.
Grounded will be performed for a local audience at the Playhouse and also to Sydney audiences for a season at the Australian Theatre for Young People Studio 1, The Wharf.
Approximate running time 1hr and 30min with no interval. Recommended for ages 12 +
Some of Australia's most acclaimed female Indigenous singer/songwriters join together with their sisters from New Zealand and Papua New Guinea in a powerful symbolic collaboration. Walk a Mile in My Shoes is a combination of spoken word poetry, storytelling and song. More than a concert, the show is a cultural experience and intimate disclosure about the lives of these talented performers and about finding commonality and strength in culture and language, as well as showcasing the phenomenal voices of the troupe.
Helpmann Award winner Ursula Yovich (Serbia/Burarra) and Black Arm Band favorite Emma Donovan (Gumbaynggirr NSW) join Whirimako Black (Māori), Maisey Rika (Māori), Merenia (Māori/Roma) and Ngaiire (Papua New Guinea) to share hilarious and heartfelt stories of -life on the stage and on the road, fortified by deep connections to their land and culture.
Barefoot Divas are a group of funny, cheeky and uplifting women who can sometimes take their commentary on the contemporary music industry just that little bit too far. Provocative, hilarious, moving and insightful, Walk a Mile in My Shoes seeks to fulfill an audience’s desire for authentic, deeply-felt entertainment that will inspire and resonate with anyone interested in contemporary song writing and musical expression.
The Divas will be led by Music Director Adam Ventoura (Greek Australian) and the all-star Barefoot Band, Marcello Maio (Greek Sicilian) Keys & Accordion, Steve Marin (Chile) Drumset, Percussion & Vocal, Percy Robinson (Maori) Guitar & Vocal and Giorgio Rojas (Peruvian) Drumset & Percussion.
Cyberbile is a candid, moving and sometimes shocking glimpse into the online world of today's teen generation. Based on interviews conducted by PLC students with teachers, parents and their fellow students, Cyberbile is a verbatim-based drama which speaks from and to the hearts of a Australia's young adults. Sometimes frightening, more often courageously funny, Cyberbile is a play for any parent who is worried about their child's relationship to the online community or any young person who wants to understand how to survive the bullying that technology can uniquely unleash.
1 & 2 December, 7.00pm at Audrey Keown Theatre (PLC Croydon Sydney)
Women, Power and Culture: Then and Now will explore the role of women in Australian society from a diverse number of complex, enlightening and amusing perspectives.
Over a two week season in repertory, audiences will journey from the past to the present on a celebration of the role women have played in the cultural development of this country and her influence in the political arena.
This project continues New Theatre’s commitment to fostering new Australian writing with a unique take on the role of women in our community through the eyes of a number of talented Australian playwrights.
(Women, Power and Culture: Then and Now runs at the New Theatre Sydney from October 26th to November 5th 2011)
Commissioned and presented by the Street Theatre Canberra
You’ve laughed along with the political satirists and you’ve enjoyed seeing the pollies taken down a peg or two by the cartoonists. You’ve joined in the chorus that accuses them of being trough feeders and dishonest, self-interested bastards. But what if you’re wrong? Ever wonder if it’s actually your cynicism and negativity toward our public representatives that is compromising one of the most high-functioning democracies in the Western world?
MP. is a timely and provocative look at the experience of female politicians working as elected representatives in our parliaments. Based on extensive interviews with politicians as diverse as Julie Bishop, Tanya Plibersek, Judy Hopwood, Kay Hull, Kate Lundy and Vicki Dunne, the play looks behind the scenes at how they juggle their relationships with party colleagues, journalists, public servants, electoral constituents, staff advisors, friends and family members. What emerges is a fascinating series of moral dilemmas faced by those trying to bring about change and those trying to stop them, those who know how to play the game and those who are simply ambitious for their own advancement. This is a fictional version of the inside scoop based on interviews with Annabel Crabb, Laura Tingle, Virginia Haussegger and a whole gaggle of public servants (who declined to be named!) MP. goes where no current affairs show or panel discussion dares to tread - deep into the messy emotional life of an MP. working in the snake pit of uneasy coalitions, public betrayals and knife-edge decisions that is Australian politics.
• 3 Female
• 3 Male (3 with doubling)
(MP. ran at the Street Theatre Canberra from October 1st to October 15th 2011)
Commissioned and presented by Darwin Festival
Head full of Love draws a portrait of the relationships that develop at the Alice Springs Beanie Festival. This renowned Central Australian event is an annual pilgrimage for women as diverse and distant at Anangu and Tjanpi weavers, and Western women from all over the world.
As secrets are shared and struggles are faced, a tendril of trust begins to develop into an unlikely friendship and the distance between worlds diminishes.
• 2 Females (with doubling, 1 indigenous)
Commissioned and Presented by the Alex Buzo Theatre Company.
Shafana and Aunt Sarrinah is a contemporary companion for Norm and Ahmed, and is partly a plea for understanding, partly a bellow of rage from Muslim Australian women about the ignorance and misunderstanding that surrounds the wearing of the traditional Muslim headscarf. Based thoroughly on personal interviews and produced with the sustained support of a large number of Muslim women from a diversity of Muslim cultures, the play addresses theatrical and social questions about representation, religious freedom and inter-generational conflict.
• full length play
• 2 Females
Published by Currency Press
Commissioned and Presented at NIDA
Adapted from Balzac’s novel, Lost Illusions is a cautionary tale - a dark parable about the snakes and ladders of life, a set of choices which all of us, especially young artists, confront. Balzac writes against the fashionable romanticism of his age, insisting that a focus on individualism and sentimentality fails to present a meaningful perspective on society. This aptation retains all the savage brutality of the original to draw a portrait of a judgmental, brutal, ambitious and competitive community which can both cripple and elevate its members.
• 6 Males
• 4 Females
Nominated for a 2007 Helpmann Award
Dramatised from the real life stories of ex-inmates of the Girls Training School (GTS), Parramatta, Alana Valentine's history-making play exposes in moving detail the experience of young Australian women at this notorious inner-west punitive institution. Operating since 1887 as a home for abandoned, at risk, and 'criminal' girls under the age of 18, it was renamed GTS in 1947 and did not close until 1974. During those years, interviewees have told stories of thousands of women being brutalised, drugged, and confined in solitary for more than a week at a time. It is a sobering, compelling and frequently harrowing tale. Yet the pain and grief that these women speak of is more than swamped by the intensity of the love and trust and support that they offer each other. Suffering is not dwelt on, rather humour and tenderness and astonishing courage radiates from the characters on stage. Most incredibly, this is a story of indigenous and non-indigenous women coming together in strength and pride to tell their common story, their common history of Australia's incarceration of 'uncontrollable' girls. Burning with the fury of those who have never been believed, aching with the comedy of those who have survived the worst that life can throw at them, this is a night of theatre that goes to the heart and soul of being alive.
'Valentine uses her source material respectfully but freely, creating composite characters and fictional scenes.....this (is an) exceptional piece of healing - and unexpectedly humorous - theatre.' - Jason Blake, The Sun Herald
• 2 act play
• 8 Female actors; 3 Indigenous 5 non-Indigenous
In October 1999, 40,000 people flooded downtown Sydney to protest against South Sydney Rabbitohs being thrown out of the premiere Rugby League Competition. Undeterred, Souths took to the courts, first losing an injunction and then their case, which lasted forty days and forty nights. In November 2000, 80,000 people took over central Sydney to vent their anger at the failure to reinstate Souths. It was the biggest sporting rally in Australia's history. Then in July 2001, the Federal Court voted two to one to support South's appeal and the NRL invited the Rabbitohs to rejoin the competition. An impoverished inner-Sydney working class football club had taken on the biggest corporation in the world and won.
In the spirit of 'Aftershocks' and 'The Laramie Project', Alana Valentine has collected the furious, passionate and deeply moving stories of past players, supporters, club staff and lawyers, and woven them into a remarkable human drama of courage, honour, loyalty and friendship. Whether you are a rugby fan or not 'Run Rabbit Run' will make you laugh, and perhaps unexpectedly cry, as this group of quintessential Australians honour the great Aussie tradition of the underdog and express their passions in their own words.
• Cast of Ten
• 6 Men, 4 Women (with doubling)
Presented at the 2010 National Play Festival.
Produced by Boobook Theatre, Melbourne.
Fon is a student who has come to Australia for a university education. So have Kai Chai and Aditya and Song Yi. All of them are seeking an encounter with the freedoms and opportunities provided by a Western democracy - sexual freedom, political freedom and personal self-determination. Student Body is an intriguing, surprising and rollicking insight into the experiences of four international students as they each encounter their own terrifying and seductive dragons - immigration officials, home-stay mothers, University counsellors and Australian lovers. Not only is Australia a very different place than they expected, the opposition from the freedoms they seek come as much from the cultural baggage they are all carrying as it does from their current residence. What will they sacrifice to secure a skilled migration visa? What, or who, among them can threaten that possibility? As they play a high-stakes game of chance with their futures, who will care if they stay or go?
• 2 Males
• 2 Females
Commissioned and Presented at St Ignatius’, Riveview
The Modest Aussie Cozzie is based loosely on a biography of Aheda Zanetti who invented the Muslim swimsuit the ‘burkini swimsuit’. The play travels with Aheda through inspiration to fledgling production and gives a poignant insight into this little understood garment. The play interrogates the way the burkini swimsuit has become a symbolic flashpoint for the clash of religious freedom and secular democracy. When the burkini swimsuit is banned in France and Italy the play charts the torment and personal cost of misunderstanding and prejudice. A deeply affecting work the play is essentially about the struggle for identity, and the genius of creative ingenuity.
• 1 Male
• 1 Female
Covenant is the story of three friends - Rebecca, Truc and Savas - who decide, as a kind of friendship pact, to steal icons or objects from each of their religious houses of worship. Rebecca is an Assyrian Christian, Truc is a Vietnamese Buddhist and Savas is a Turkish muslim and they are determined that their parents edict of 'stick to your own kind' will be neutralized by their common act of bonding. But the thefts produce conflict between the religious communities that they could not have predicted. Will all three retreat to a position which rejects interfaith friendship or is there something that the young adults can resolve to find their way forward? Performed by and written in collaboration with 19 young adult actors and residents of the Fairfield area, this is theatre which confronts and reveals the experiences of Australian multicultural young people. Covenant inspires hope for an Australian future informed by interfaith understanding and co-operation.
• Cast of Eighteen
• 9 Men, 9 Women (with doubling)
Presented by the Street Theatre Canberra
It is 1905, and in Australia women have just achieved the right to vote. Mirabella Martin is a highly successful, but rapidly ageing, soubrette. She wants to catch the eye of Harry Rickards, boss of the Tivoli Circuit, but she thinks she needs to find a new act to secure her place on a bill dominated by American and British theatrical imports. Her pianist, Tommy, tells her about the rage in the home country for male impersonation and encourages Mirabella to discover the power of pants. Mirabella hates the idea, resists the idea, tries to burn the trousers that Tommy has loaned her and only very reluctantly, and without any other options, takes to the stage cross- dressed. The audience love her and gradually, very gradually, Mirabella begins to embrace the liberation and opportunities that her on-stage persona create for her. But when Harry Rickards finally turns up to see her, Mirabella is faced with a heart-wrenching decision between the he that she's learned to embrace and the she that might secure her future. A delightful and very funny cabaret style show, Butterfly Dandy is a story about the pleasures and challenges of finding 'the new you' in the most unlikely place and of realising that the 'ideal man' might be closer than you think.
• Cast of Two
• 1 Woman 1 Man (Piano Accompanist)
Presented by La Boite Theatre Brisbane
Nominated for a 1997 NSW State Literary Award as Best Play, and a 1997 Australian Writers' Guild Award.
Two magicians are touring their show along the Great Ocean Road of south-western Victoria. The further down the coast they travel, the more they are drawn into a mystical world of self-realisation and discovery about one another and the country around them. When the magicians assistant, Gala, begins to conjure out of the sea the ghost of a Sea Captain, whose ship was wrecked on rocks in 1845, the drama becomes a life and death struggle between reality and illusion.
• full length play
• 1 Male
• 2 Females
Published by Currency Press
Presented by the Queensland Theatre Company
A contemporary drama of life, death, and world changing deals.
For four Australians flying home, the presence of an American Professor of Atmospheric Chemistry on the flight inspires desperate action and compelling revelations. Can the human race be saved from the worst excesses of environmental pollution, or are we stripped more by the pain of love than anything the sun can do?
Set against a surreal landscape, this play traces the lives of five characters through a maze of comedy and treachery. It reveals the need for 'personal ozone' in a world where lives spiral out of control and the heart is the most vulnerable organ of all.
• Full length play
• 2 Males
• 3 Females
Commissioned and Presented by Katherine Regional Arts.
Watermark is a chronicle of both the physical, psychological and financial devastation of the flood in the northern territory town of Katherine, Australia on 26 January 1998.
Based on written and oral testimony from flood survivors, the play evokes the power and torment of flood damage in a small town the tensions and grief, the friendships and kindnesses, the fears and losses. Uplifting, moving and funny, Watermark is a testament to both the fragility and the endurance of a community in times of hardship.
• full length play
• 4 female, 4 male - Large amount of characters, doubling envisioned but not necessary
Supported by Playwrighting Australia’s Creative Development Studio
Doing Dawn is the story of five young pilgrims who travel to the Gallipoli Peninsula for the ANZAC Day commemorations. Based on interviews with actual travellers and Turkish soldiers, Doing Dawn is a searing confrontation of the babyboomer, anti-war rhetoric that has dominated recent debates about attendance of increasing numbers of young people to the site. Instead, Doing Dawn gives angry, poignant, confused and hilarious voice to the reasons for the pilgrims journeys, finding that the reasons young people go are as various as their diverse identities and politics. For some the initial impulse is no more than ‘the Big Day Out goes Turkey’ or an overseas gathering of ex-pat Aussie travellers. But once at the commemorations, something happens, not always predictable and sometimes even surreal, and identities are challenged, changed, and shifted by a confrontation with the past.
Using direct address, theatrical time and reality shifts, songs, drama and Turkish language, Doing Dawn is a cry to be heard from a generation who are more preached to than heard from. It is an often surprising, confronting and moving insight into the concerns of Australian young adults and, importantly, also gives voice to the Turks who host the event.
• 2 Males
• 2 Females
Commissioned and Presented at Hyde Park Barracks
Meet the residents who lived alongside the soldiers and convicts in the Hyde Park Barracks - the rats! Ratticus is the most cunning rat in the pack and when Reidar, a Norweigian brown rat arrives fresh off the prison hulk, it’s Ratticus who shows him how to survive by nibbling at the convicts toes. An action packed, rat’s eye-view of the Barracks that’s packed full of songs, dance and laughs for all ages.You’ll be amazed by how much those wily rats can tell us about life in the early setttlement!
• 2 actors, either gender
Commissioned by a South Sydney Community Centre
Elderflowers is based on interviews and research undertaken in Redfern and Waterloo with older residents, celebrating the wisdom and quirkiness of age. It has much to offer both those who generously gave of themselves as research participants and the wider community. Warm, funny and poignant, Elderflowers is a sassy look at life through the lens of older eyes and it reveals much about their invisible lives. Bullying by greedy, impatient children, neighbourly disputes, the absurdity of "the system" that hinders more than it helps - the characters emerge as the script spirals its way through anecdotes building up a mosaic-style impression of the older community. Elderflowers is a tribute to the resilience of the human spirit and adds to the connective tissue that binds the community together.
• 2 Males
• 3 Females
Winner of the Rodney Seaborne Playwrights Award.
When an American HIV specialist doctor, Dr Tex Clark, visits an Australian hospital, part of his residency is spent with a bioethics Professor, Robert Bavaro. Although the two clash over ethical issues especially surrounding euthanasia, a passionate love affair based on humour and honesty develops between them. As Dr Clark moves increasingly toward the prospect of assisting the suicide of one of his terminally ill patients, the stakes escalate, threatening both their careers and shifting the moral ground under them.
A play which asks the question,"Is it possible to love someone with whom you profoundly and completely disagree?"
• full length play
• 2 actors, non-gender specific (may be played by 2 men, 2 women, or 1 man and 1 woman)
It is Federal Election time and like all of us, Riley Calasso has to vote. She is streetwise, maternal, conservative and reclusive. One woman, four personas caught in a treacherous web of fear and confusion, wrestling with the internal self.
This funny, topical, sharp and sexy show has been written especially to show off the talents of a virtuoso female performer. Which Riley will get the vote? What scheming and fighting will there be before one of her selves wins the right to do so?
A political thriller about personal choice.
• 1 act play
• 1 Female
Inspired by Wagga Wagga's astounding art glass collection, this is a series of monologues in which human nature is refracted through the many metaphorical aspects of glass.
A man contemplates what he does not know of his mother as he holds one of her frosted glass vases. A teenage girl with spectacles describes how she torments and teases male commuters on her local railway station. A shop assistant who sells glass describes her life. A glass artist cuts it with an angle grinder. A woman visits the Glass museum in Murano.
• 15 monologues
• 3 performers or more
Three stories of sexual seduction involving tea, wine and chocolate.
A man and woman consummate a ten year old passion over a cup of tea. Two teenagers negotiate their first sexual experience over a glass of wine. A husband and wife understand their sexual stagnation because of a box of chocolates. But then there's the post-coital second act.
• full length play
• 3 Males
• 3 Females
Presented by the NEW Theatre Sydney
Winner of the ANPC/New Dramatists Award
Loosely based on the life of Southern American writer Carson McCullers and her journey from small-town alienation to international literary celebrity. Growing up in 1930s provincial Georgia was always going to be difficult for a writer of McCullers' originality and innovation and her family made themselves unpopular with their unfashionable stand against racism in the Deep South. Moving to New York allows Carson to experience not just the liberalism of Northern American thinking but also to explore her own sexuality and literary aspirations. Her first novel 'The Heart is a Lonely Hunter' propels her to immediate prominence as a writer; by the 1950s she is friend of Tennessee Williams, dinner companion of Marilyn Monroe, darling of New York transvestites. Yet she continues to struggle: with perceived rejection and lack of recognition; with her bi-sexuality and that of her husband; with cultural conformity and ignorance; with constant ill-health and depression. 'Singing the Lonely Heart' does not, however, simply retell the biographical details. Against a theatrical kaleidoscopic background of Southern American freak shows, Northern American drag bars and Parisian cemeteries, the play presents a human drama about what must be sacrificed and what must be accepted in order to be faithful to one's true self. A sometimes hilarious and often moving portrait of an original and deeply creative spirit up against the odds yet resilient, defiant and brave.
'Mc Cullers was a one-off and this play does her great justice, without infantilising her legend, lionising or knocking out a hollywooden heroine. Moving, compassionate, tough, taut and terrific!' - Brad Skye, Sydney Stage Online
• 2 act play
• 2 Males
• 4 Females
Commissioned by the STC Blueprints Programme
Two university law students, Marlowe and Neil, decide to turn one of their degree assignments into a play about the passing of the 1984 Sex Discrimination Act. They recruit another student, Olga, who is intensely hostile towards feminists and sees the whole thing as a wonderful way to send up the generation she calls 'gender terrorists'. As the assignment progresses, their own personal flaws, feelings, contradictions and problems in regard to their personal relationships are revealed, and their understanding and estimation of the achievements of the legislation changes. But for Olga, who keeps being visited by a pesky Germaine Greer in her dreams, the process reveals unpleasant truths about herself and her lover and propels her toward a change that is both irrevocable and life-changing.
Intercut with these scenes of the young adults in the present, are dramatised scenes of the passage of the legislation involving all the historical participants in the real-life drama - Senator Susan Ryan, representatives of the group Women Who Want to Be Women, Prime Minister Bob Hawke, Opposition Spokesman Ian McPhee, and others. A timely examination of the struggles of feminism in a 'turkey slapping' 21st Century and a confrontation of Australia as the only country in the Western world without a constitutionally guaranteed Bill of Rights.
• 2 act play
• 3 Males
• 3 Females
Commissioned by Outback Theatre for Young People
When girls at the Parramatta Training School rioted in 1961, a special, more punitive institution was set up in a disused psychiatric hospital in Hay, in remote Western NSW. Redesigned to house the ten 'worst' girls in the State, the Hay Institution for Girls became both a threat to maintain order in Parramatta and a site of further degradation and psychological torment for the young women it housed. Forced to constantly keep their 'eyes to the floor', these girls were not allowed to speak to each other and were forced to lay and then break up concrete paths, scrub paint from walls and tend the institution's garden. Picking up the story where 'Parramatta Girls' leaves off, 'Eyes to the Floor' is a moving portrait of hope that survives even in the worst of conditions. Written especially for a young cast, whose ages are chillingly equivalent to the incarcerated girls they are portraying, this is young adult theatre about the triumph of the imagination.
• 1 act play
• 2 Males
• 7 Females
Nominated for a 1996 City of Newcastle Drama Award, this play travelled to the 1988 Commonwealth Games Cultural Festival, in Kuala Lumpur.
Two swimmers have their sights set on Olympic Gold: Stace and Igorina. Stace lives and trains in Australia and is starting to make her way up the competition ladder. Igorina lives in an unnamed war zone with little possibility of athletic glory. Their stories are linked by Mark Monroe, a sports journalist and war correspondent whose life is altered and affected by the changing fortunes of both girls. As the Olympics draws near, Igorina urges Stace to an action which could make her lose everything.
A play about teenage ambition and the Olympic ideal.
• 1 act
• 1 Male
• 2 Females
Published by Currency Press
Nominated for an AWGIE Award 2001 in the Category Young People's Theatre.
Commissioned by the Australian National Maritime Museum to accompany the exhibition 'Gold Rush: The Australian Experience'. Set in 1854, the play begins aboard the 'Julia Ann' as the ship heads from Sydney to the Victorian goldfields.
The characters are two miners, one a seasoned prospector, Stan, has come from the Californian fields to seek his fortune in Australia, the other, Frank, is an Aussie 'new chum' fresh to the prospecting game.
They forge a partnership to seek for gold but when they arrive on the goldfields, the Ballarat Reform League rebellion draws Frank into the Eureka Stockade and puts a strain on their relationship that won't be resolved till the violence is over.
A highly entertaining play about mateship and the relationship between the American and Australian goldrushes, for eight to twelve year olds.
• 30 Minutes duration
• 2 Males
A short play, in verse and prose, set in the inner-Sydney suburb of Redfern.
A poetic impression of the suburb as it travels through one day, the narrative tells the tale of four residents, a non-indigenous woman whose bag is snatched, the drug-addled thief, an indigenous woman who is knocked over and injured on a pedestrian crossing as she returns home, and the policeman who deals with all of them.
A play about interconnectedness and the possibility of community.
• 40 Minutes duration
• 2 Males
• 2 Females
When Jacqueline's brother Vince complains of a stomach ache, Jacq does what any good sister would - she magically sends herself inside his body to find out what the problem is! Will she escape the clutches of the patrolling white blood cells? Will she get any sense out of the singing DNA strands? Will his heart know what's wrong? And who is the black dagger who lives in his stomach? An hilarious and very moving adventure of epic imaginative proportions about what really makes children unhappy and how two siblings find a deep and lasting connection with each other.
• 1 Male
• 1 Female
• 2 non-gender specific
A play suitable for youth-theatre production.
The narrative is of a 17-year-old girl called Gillian Todd. The play traces Gillian's growing awareness of a problem in her ability to control her alcohol consumption.
Using music, mime, puppetry and mask work the play dramatises the experience of adolescence through a street-wise, witty, and sympathetic protagonist.
• 1 act play
• 5 Males
• 6 Females
Also commissioned by the ANMM, to accompany the exhibition "Oceans Apart: the story of Ann and Matthew Flinders."
The play is about the relationship between the great Australian denominator and navigator Matthew Flinders and his less well known brother, Samuel who accompanied him on many of his voyages, including aboard 'The Investigator' as they charted and named the South Australian coastline.
The play traces tensions in the brother's relationship and cleverly explains concepts of mapping and navigation essential to the Year 3 and 4 syllabus.
• 30 Minutes duration
• 2 Males
A play for children about a boy who finds the bones of an ichthyosaur, a marine dinosaur, in a farmer's paddock and then struggles to have his discovery acknowledged.
A play with songs about how children's achievements can be usurped by adults, and a lonely child who learns how to transform his world.
• 50 Minutes duration
• 6 Actors (with doubling)
Anger Lee is a brilliant young musician. Five years ago she left her baby daughter with her mother while she went to Vienna to further her studies. Now she's come back and she wants her baby, but the baby isn't so easy to find.
A haunting play about the generative power of the Australian inland, this play was the recipient of the 1989 NSW State Literary Award for Radio in its original conception as a radio play.
• 1 act, 40 minutes
• 3 Females
A short play about the erotic possibilities of vomiting.
• 8 Minute short play
• 1 Male
• 1 Female